Archive for the 'chamber' Category

Lament for Art O’Leary

September 3, 2023

Monologue for soprano, with cello and piano.

In 1773, in County Cork, Ireland, Art Ó Laoghaire (Art O’Leary) was murdered by an English landowner. His widow, Eibhlín Dubh Ní Chonaill (Eileen O’Connell), delivered an extraordinary elegy in Irish at his wake. It entered the oral tradition as the Caoineadh Airt Uí Laoghaire (Lament for Art O’Leary), and was first written down in the 19th century. It has been translated into English several times (notably in Doireann Ní Ghríofa’s book A Ghost in the Throat). I’ve chosen a series of excerpts, roughly an eighth of the poem, from the translation by Vona Groarke. The speaker addresses us across the centuries with a startling immediacy, full of love and loss.

Video of performance by Megan Cullen, soprano, with John Kiunke, piano and Tim Stanley, cello. Performed as part of the Operation Opera workshop, California State University, Sacramento, June 2023.

Text (PDF)

Score (PDF)

Dancing

July 13, 2023

A scherzo for string quartet, originally intended as part of a multi-movement work. Runs about 5 minutes.

Score (PDF)

Synthesized audio (MP3)

Parts available on request.

Emergency Guidelines

May 16, 2023

Setting of the poem “Emergency Guidelines”, by Martha McCollough. For soprano and ten instruments (woodwind quintet + string quintet). Duration ca. 4:00.

Score (PDF).

Performance (video, audio only), by Megan Cullen, soprano, with John Kendall Bailey conducting the San Francisco Composers Chamber Orchestra, May 13, 2023.

Crimson and white

November 7, 2021

Duet for violin and piano, composed November 2021.

Score (PDF)
Violin part (PDF)
Synthesized demo of violin part (MP3)

Maximus, to himself

September 8, 2021

Solo piece for trombone, written for Brent Mead in the Great Plains Composers’ Workshop.

Audio, as a score-follower video

Score PDF

At the Hawk’s Well

April 20, 2021

Chamber opera in one act, after the play by W. B. Yeats. Four singing roles:

  • First Musician, mezzo-soprano
  • Second Musician, soprano
  • Old Man, baritone
  • Young Man, tenor

There’s also a non-singing part for a dancer, playing the hawk-spirit that guards the well.

Vocal score (PDF). I expect to arrange this for whatever small forces are available.

The only bit that’s been recorded is an aria, “I came like you”, with Caleb Lewis, baritone.

Splinters

November 27, 2019

For flute, clarinet and bassoon. Written for the Left Coast Ensemble’s Intersection workshop.

Score (PDF)

Video of performance at the Crowden School in Berkeley, February 2020.

 

Downriver

November 27, 2019

For string quartet. Written for the Left Coast Ensemble’s Intersection workshop.

Score (PDF)

Performance (video, somewhat truncated) at the Crowden School in Berkeley, February 2020.

 

Queen Under the Hill

May 22, 2019

For string quartet — specifically for a student group. About 5m. May 2019.

Score here (folder also contains parts, MIDI and synthesized MP3).

 

Checkers

December 18, 2018

Cello and piano, about 4m. Dec. 2018.

Full score here.